Canadian Power Metal Band Unleash The Archers to Release New Album Phantoma

Out May 10, 2024 via Napalm Records | Pre-Order HERE

First Single “Green & Glass” + Stunning Music Video Revealed
Watch HERE

2024 International Tour Dates Announced[photo credit: Shimon Karmel] Canada’s most exciting metal band, UNLEASH THE ARCHERS, are thrilled to announce the upcoming release of their transfixing sixth studio release, the AI inspired concept album Phantoma, out May 10, 2024 via Napalm Records. The new album follows the band’s breakout 2020 album, Abyss, which won the JUNO Award for Metal/Hard Music Album of the Year after debuting at #1 on the US Current Hard Music and Top New Artist charts. 

Frontwoman and lyricist Brittney Slayes conjured Phantoma’s concept in 2021; before the swarm of pressing commentary surrounding AI began to reach an all-time high. Led by the album’s protagonist Phantoma, a Phase 4 / Network Tier 0 unit – model A, the story recounts the trials of AI gaining sentience on a dystopian, near-future planet earth. With the band’s one-of-a-kind blend of power metal, traditional heavy metal, modern prog and pop sensibilities, UNLEASH THE ARCHERS spin a web of sharp musicality, high sci-fi concept and important social commentary about discovering the brutal truths behind the manufactured sheen of social media posturing.

Today’s album announcement kicks off with the release of its first single, “Green & Glass” – an unforgettable opus traversing the album’s dystopian concept with dynamic verses and prog-laden guitar work. Its innovative accompanying music video features Phantoma discovering new and harrowing realities, and was created using AI while still supporting traditional artists by having character models trained exclusively on a body of work licensed from artist Bo Bradshaw. 

UNLEASH THE ARCHERS says about “Green & Glass”:
“We struggled for a while to decide which song would lead the way for this record, and in the end chose ‘Green & Glass’ because it is the song that inspired the cover artwork, but also because it doesn’t give too much away about the concept behind the album. We wanted nothing more than to be able to create a fully cinematic retelling of the story through our music videos, and were so stoked when the boys at RuneGate Studio expressed an interest in learning how to use Stable Diffusion to make our dreams come true! They trained the model on the work of Bo Bradshaw, which gives it a beautifully unique animation style; we got to bring his magnificent t-shirt artwork to life!

“Watch the remarkable official video for “Green & Glass” HERE:

Following 2020’s triumph Abyss, which was dubbed by Bandcamp as “a mandatory listen”, and named by Loudwire as one of the best rock and metal albums of the year, UNLEASH THE ARCHERS ascend with Phantoma. Defying controversy and bringing their imagination to life, UNLEASH THE ARCHERS utilized AI during the writing, filming, and production process on Phantoma, and weaved electronic and synthwave elements throughout the album’s 10 colossal anthems, which – in line with its theme – prove much darker and heavier in comparison to the bright positivity of Abyss.

Album opener “Human Era” sets the tone with imagery of a bleak, windswept futuristic world that crescendos headlong into the breakneck pace of power metal bastion “Ph4/NT0mA” – a masterwork of dueling guitar solos and vocal acrobatics. Trad-metal influenced “Buried In Code” lights the way with pummeling rhythms before the album’s path turns dark on heavy metal hardened “The Collective”, with Brittney Slayes’ warm tones inviting the listener to ‘join or stand aside’! Hair-raising first single “Green & Glass” unveils the truth before the upbeat 80s flavored “Gods In Decay” and the extraordinary balladic anthem “Give It Up Or Give It All” showcase the varied song writing prowess of UNLEASH THE ARCHERS’ modern era. A trifecta of concept closers begins with the moody “Ghosts In The Mist”, leading into the soaring yet menacing “Seeking Vengeance” before closing with the bittersweet tale of “Blood Empress”. 

Mixed and mastered by Jacob Hansen, and with lead guitarist Andrew Kingsley at the helm as both principal songwriter and producer, Phantoma is an exciting advancement in UNLEASH THE ARCHERS’ songwriting and storytelling mastery, and a giant leap forward in their towering musical trajectory.

Pre-Order Phantoma HERE:

Phantoma track listing:
1. Human Era
2. Ph4/NT0mA
3. Buried In Code
4. The Collective
5. Green & Glass
6. Gods In Decay
7. Give It Up Or Give It All
8. Ghosts In The Mist
9. Seeking Vengeance
10. Blood Empress

UNLEASH THE ARCHERS on tour:
Legions of Metal Festival:
5/03 – Chicago, IL @ Reggies

Australia and New Zealand Headliners: 
6/05 – Canberra, AU @ Basement
6/06 – Sydney, AU @ Manning
6/07 – Melbourne, AU @ Croxton
6/08 – Brisbane, AU @ The Zoo
6/09 – Adelaide, AU @ Lion Arts
6/13 – Auckland, NZ @ Galatos
6/14 – Wellington, NZ @ Valhalla

European Festivals:
7/05 – Ballenstedt, DE @ Rock Harz
7/06 – Knislinge, SE @ Time To Rock
7/12 – Visovice, CZ @ Masters Of Rock
7/19 – Laukaa, FI @ John Smith Fest
7/21 – Baile Figa, RO @ Celtic Transylvania
8/02 – Wacken, DE @ Wacken Open Air
8/09 – Villena, ES @ Leyendas Del Rock
8/10 – Walton-On-Trent, UK @ Bloodstock

Supporting POWERWOLF in North America:
8/29 – Los Angeles, CA @ The Hollywood Palladium
8/31 – Denver, CO @ The Ogden Theatre
9/03 – Chicago, IL @ The Riviera Theatre
9/04 – Cleveland, OH @ The Agora Theatre
9/05 – Silver Spring, MD @ The Fillmore
9/07 – Tampa, FL @ Jannus Landing
9/08 – Atlanta, GA @ The Masquerade
9/09 – Charlotte, NC @ The Fillmore
9/12 – Philadelphia, PA @ The Fillmore
9/13 – Worcester, MA @ The Palladium
9/14 – New York City, NY @ Brooklyn Paramount
9/15 – Laval, QC @ Place Bell

UNLEASH THE ARCHERS is:
Brittney Slayes – Vocals
Scott Buchanan – Drums
Grant Truesdell – Guitar, Vocals
Andrew Kingsley – Guitar, Vocals
Nick Miller – Bass

UNLEASH THE ARCHERS online:
WEBSITE
FACEBOOK
X
INSTAGRAM
NAPALM RECORDS

Heavy Metal Band Black Absinthe Drop New Single

(Promo by Copyright © 2024 C Squared Music, All rights reserved.)

Black Absinthe, the acclaimed heavy metal band known for their raw energy and immersive storytelling, announces the release of their gripping new single, “Jean Lanfray”. This latest offering comes ahead of their highly anticipated album, “On Earth Or In Hell”, set to be released on March 27th. I am looking forward to this album immensely. It sounds fresh, but has an excellent throwback sound that I am digging lately.

“Jean Lanfray” delves into the dark and turbulent history of Absinthe, the infamous spirit. The band was inspired by the chilling story of Jean Lanfray, a man who, in 1905, committed a heinous crime under the influence of alcohol, including Absinthe. This event sparked a moral panic that contributed significantly to the temperance movement and the eventual banning of Absinthe in many European countries.

Black Absinthe uses this narrative to explore themes of denial and the devastating effects of alcohol addiction. “When exploring concepts and stories relating to Absinthe, we came across the story of Jean Lanfray; who, after a day of excessive drinking, murdered his wife and children. Despite consuming a variety of liquors, it was his consumption of Absinthe that scandalized the public. The murders and subsequent trial kicked off a temperance movement that would see the sale and production of Absinthe banned in most European countries,” the band reflects. “The band uses the story to depict the denial ever present in an alcoholic mind. ‘Jean Lanfray’ works to depict a narrator pathetically denying the reality he has caused and showing the depraved actions a man can take when gripped with alcohol addiction.”

About BLACK ABSINTHE: 
Formed in the underground dungeons and dives of Toronto’s metal scene, BLACK ABSINTHE is a Canadian contemporary heavy metal band. Since 2011, BLACK ABSINTHE has performed, recorded, and reached new fans all over Canada. Presenting a mix of thrashing mosh pits and riff heavy anthems, their growing presence in the diverse heavy music scene, unifies classic metal grandeur, speed-demon rhythm sections, soaring solos, with modern technicality. Over the course of three EP’s and one LP, Early Signs of Denial (2016), BLACK ABSINTHE has continued to grow and experiment on its NWOBHM influences while maintaining the intensity of the contemporary heavy metal genre. The band draw influences from the likes of GOJIRA, MASTODON, SLAYER, and MOTÖRHEAD, to name a few. 

In 2019, founders Jack Cerre and Kyle Scarlett proudly welcomed Fernando Villalobos (Ex-SLUDGEHAMMER) into the fold. BLACK ABSINTHE continues to carve their own path with performances across Canada and have brought new material to fans in Montreal, Newfoundland, and Toronto. Most recently opening for TOWER, FIREBREATHER, and WITCHROT. 

In 2020, the band began laying the groundwork for their latest album On Earth or In Hell. In 2021 the band began pre-production demos with JC Sandoval (THE CROOKED, WE THE CROOKED). As producer, he oversaw the entire project, also engineering vocals and bass. In February 2022, the band engaged Juno-nominated producer Tyler Williams of Monolithic Productions (LINDSAY SCHOOLCRAFT, LUTHARO, SLUDGEHAMMER) to co-produce, engineer drums and guitar, and mix the album. The album is slated for release on March 27th, 2024.  

Watch the video for the first single “On Earth or In Hell” here: https://youtu.be/dF2FQ4hBu3Q?si=YZ8PXNWRq5vuB3NO

BLACK ABSINTHE is:
Jack Cerre (Vocals/Guitar)
Kyle Scarlett (Bass)
Fernando Villalobos (Drums)

Single Credits: 
Performed/Written by: BLACK ABSINTHE
Lyrics by: Austin Henderson
Produced by: J.C. Sandoval
Co-Produced by: Tyler Williams
Mixed by: Tyler Williams (Monolithic Productions)
Mastered by: Lasse Lammert (LSD Studios)
Photography: Michael Jari Davidson
Album Art by: Darrin Crosgrove

Links: 
Website: https://www.blackabsinthe.com/
Facebook: https://www.facebook.com/blackabsintheband
Instagram: https://www.instagram.com/blackabsintheto/
Bandcamp: https://blackabsinthe.bandcamp.com/
Spotify: https://bit.ly/3PCBzaC

Track List:
1. Dead Queen 
2. Nobody Knows
3. Jean Lanfray 
4. Call of the Void
5. On Earth or In Hell
6. The Hard Way
7. Essentially Fucked
8. Twisted Past

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Kamelot Announce North American Spring Tour

TLDR

Modern Symphonic Metal Icons KAMELOT Announce
North American “Kamelot: Awaken The World Tour 2024”

Featuring Support from HammerFall and AD INFINITUM

Beginning April 25 in Baltimore, MD | Tickets On Sale Friday, January 19

New KAMELOT Album, The Awakening, Out Now | Order HERE[photo credit: Tom Couture] Modern heavy symphonic metal leaders KAMELOT continue to celebrate their latest top-charting full-length album, The Awakening, in grandiose style! Today, the band is thrilled to announce their upcoming North American “Kamelot: Awaken The World Tour 2024”, featuring direct support from Swedish heavy metal frontrunners HammerFall. Fast-rising modern symphonic metal band and Napalm Records label mates AD INFINITUM will kick off each enchanting night, featuring KAMELOT touring guest vocalist Melissa Bonny! 

The tour will begin on April 25 in Baltimore, MD and will cross North America and back, coming to an end a month later in Tampa, FL on May 25. Tickets for this unmissable trek go on sale to the general public this Friday, January 19 at 10:00am local time, following an exclusive Blabbermouth pre-sale beginning on Wednesday, January 17 at 10:00am Eastern time. VIP upgrades will be available in select cities, and can be ordered via www.kamelot.com/VIP2024. Get your tickets now – they will go fast!

Guitarist/Founder of KAMELOT, Thomas Youngblood, says:
“We are beyond excited about the upcoming North American tour with our friends HammerFall and AD INFINITUM! We have been to Europe, Japan and South America as part of our AWAKEN THE WORLD tour, and we will come back to North America for some cities we didn’t get to visit on the first leg. Get ready for some amazing nights on this epic Symphonic Metal package!” 

KAMELOT: Awaken The World Tour 2024 North American tour dates:
** = Featuring Seven Spires, No HammerFall

4.25.24 – Baltimore, MD – Rams Head **
4.26.24 – Huntington, NY – Paramount **
4.27.24 – Boston, MA – Big Night Live **
4.28.24 – Quebec City, QC – Theatre Capitole **
4.30.24 – Harrisburg, PA – HMAC 
5.1.24 – Montclair, NJ – Wellmont Theatre 
5.3.24 – Columbus, OH – The Bluestone
5.4.24 – St. Louis, MO – Delmar Hall
5.6.24 – Fort Worth, TX – Tannahill’s
5.7.24 – San Antonio, TX – Vibes Event Center
5.9.24 – Albuquerque, NM – El Rey Theater
5.10.24 – Tucson, AZ – Encore
5.11.24 – Anaheim, CA – City National Grove 
5.12.24 – Las Vegas, NV – House of Blues
5.14.24 – Denver, CO – The Summit 
5.16.24 – St. Paul, MN – Myth
5.17.24 – Milwaukee, WI – Eagles Ballroom/Milwaukee Metal Fest (no AD INFINITUM)
5.18.24 – Cleveland, OH – House of Blues
5.20.24 – Pittsburgh, PA – Roxian 
5.21.24 – Richmond, VA – The National
5.23.24 – Cincinnati, OH – Bogarts
5.24.24 – Atlanta, GA – Heaven – Masquerade 
5.25.24 – Tampa, FL – Jannus Landing

KAMELOT‘s latest album, The Awakening, debuted at #2 on the US Current Hard Music Albums chart and #27 on the Current Album Sales chart, and connected with fans and critics alike – touted by many as the best late-era KAMELOT release to date! The album enters the band’s legacy as their most massive and diverse offering yet – mixing symphonic, gothic, melodic, progressive and power metal styles while yielding some of the heaviest tracks in the band’s history. Having reigned supreme with the release of internationally top-charting melodic metal pinnacles such as The Fourth Legacy (1999), The Black Halo (2005), Silverthorn (2012), Haven (2015, #1 US Hard Rock Albums), and most recently 2018’s acclaimed The Shadow Theory (#2 US Hard Music Albums), KAMELOT’s intense brand of ultramodern gothic and symphonic theatricality is amplified further and with more emotionalism than ever on The Awakening.

Showcasing the incomparable, stage-seasoned vocal acrobatics of Tommy Karevik and increasingly airtight, renowned technical teamwork of guitarist Thomas Youngblood, drummer Alex Landenburg, keyboardist Oliver Palotai and bassist Sean Tibbetts, KAMELOT’s score-like 13th studio album is accented by guest contributions from the likes of Melissa Bonny (Ad Infinitum) and renowned instrumentalists like violinist Florian Janoske and cellist Tina Guo. The Awakening features crystal clear modern production helmed by the band and longtime producer Sascha Paeth, plus mixing and mastering by Jacob Hansen of Hansen Studios.

“10/10 “Masterpiece!”
– Metal-Temple

“The Awakening is KAMELOT’s best album in almost 20 years…”
– The Prog Mind (US), 9/10

“The Awakening is KAMELOT performing at the top of their game.”
– New Noise Magazine (US)

“The Awakening is probably the hottest candidate for the (melodic) metal album of the year.”
– Rock It! (DE) – 10/10   Order The Awakening HERE:

Watch the music video for “Eventide”HERE:

KAMELOT are:
Tommy Karevik – Vocals
Thomas Youngblood – Guitars
Oliver Palotai – Keyboards
Sean Tibbetts – Bass
Alex Landenburg – Drums

KAMELOT online:
WEBSITE
FACEBOOK
INSTAGRAM
NAPALM RECORDS

Debut Album Will, Until Beauty by Cariosus Review

Out January 12th, 2024

Chicago Melodic Death Metal two man band, Cariosus, are a new edition to the modern Metal scene. They bring a deep cerebral take on the world of Melodeath with as complex lyrics as the music can get. They shine a mirror on the soul and the modern human psyche and rip it open with beautiful brutality. I am no stranger to Melodeath, having seen a dozen shows of pure Gothenburg Metal and reviewing the scene for a decade, so I was interested to see a new one coming from America.

Some words on the album provided by the band: “Will, Until Beauty is a thesis on mankind facing its shadow. It is the confrontation of one’s darkness that is necessary to find inner light. In this work, CARIOSUS navigates the modern psychic landscape that humanity finds itself in- rife with spiritual deprivation, manufactured morality, and performative righteousness that the weakest among us use to hide from our own inner abyss. For both the individual and society as a whole, it is a call to reconcile one’s soul in both light and darkness- to create a consolidated and objective view of Being that is the foundation of true virtue.”

Will, Until Beauty is as deep and as heavy as it sounds. It’s methodically written and mature for a debut album. It’s rich in Deathcore, Blackened Death, and Neoclassical influence, deviating from your typical Melodeath sound bloomed in the dark North. Opener “Narrow Path” is a gripping rhythmic track with old school Death Metal guitars, thrash drums, and dynamic screams and growls from Alex Pfister. Alex is impressively ranged, stacking up to any Deathcore vocalist. Kevin Kryszak (Guitar) is fret board fluent, using every octave on that neck on the opening track alone. “Saturn Returns” is more modern and has some Carnifex sounding aspects to it, which vastly impressed me. There’s so much sound coming from two people, it’s hard to believe that this is their debut album. Apollo’s Lament is a slower more melodic track at first, then it hits you like an oncoming out of control train. This track is insane, changing from one measure to the next, switching sounds and influences faster than you can count. It’s complex, even for Melodeath. This song would be a great single from the album as it screams Enslaved and even chorus-effect Type O Negative melodic lines. The solo is also very Classical and intense. All Too Human breaks up the blistering heaviness showing that melodic side with acoustic percussion and Tool-esque bass lines. I absolutely love this track from beginning to end; the way it builds and moves is just so incredible and well-done.

The album continues to flow together very nicely without becoming repetitive or contrived at any point and keeps that depth going through each track. I wish I had access to the lyrics to get a real feel for the message, because it is so deep in meaning and Alex is a highly distorted vocalist so it’s hard to pick out the words. This vocalist highly impressed me, however. His range for a debut is utterly staggering. This album has a depth I rarely see in Death Metal. Cariosus is adding their own spin and I think Metal fans from every area are going to dig this album.

Social Links: https://open.spotify.com/artist/3BEPN4Fk58KlTnywowPUgK?si=_ML6bVXfQW2EBBooMjmvZg https://cariosus.bandcamp.com/music https://www.facebook.com/cariosusband https://www.instagram.com/cariosusband/ https://www.youtube.com/@cariosus8167

My Top Albums and Singles of 2023

2023 was in my opinion, one of the greatest years for Metal and music in general. The innovations in the genre were overflowing this year. All the true quality releases make it one of the most difficult years to rank and categorize the best of the best. I have revised this article and list so many times, I’ve lost count. It seems I am discovering a new band, song, and album that defies all my musical expectations everyday and it truly astounds me. So, I picked my favorites. It’s not a popularity contest or based on the songs that live rent free in my head, it’s just my favorite albums based upon my perception of quality and innovation. I based my decisions upon personal preference, but also just sheer quality of composition and aspects that made the record stand out from your typical Metal albums. This list could really be in multiple orders, but I just put my favorites in the succession I feel reflected my listening habits the most. Let’s face it, it is impossible to put all of the best albums of 2023 in order by quality or ingenuity. There’s simply too many excellent albums.

What albums did you love this year? Which ones did I leave out or miss entirely? Comment below and let me know.

My Top Albums 2023

1. Hermitage: Daruma’s Eyes Part 2- Temperance

This should come as no surprise that this album is ranked number one for me, as I predicted in my review. Temperance came back with an ingenious concept album and one of the most musically talented lineups I have heard since Epica. It’s a Symphonic Power Metal Opera for the ages. It overshadowed anything Ayreon or Star One have done for almost a decade, in my opinion. Marco Pastorino and crew made a once in a lifetime bombastic and moving record with impossibly good vocals. It is innovative as it uses so much Classical elements with huge wall-of-sound production and an eclectic mix of vocalists that come together to absolutely blow your mind. It sounds futuristic, but mirrors the production quality of Hard Rock and Prog albums from the 1980’s. It is a stunning record that I don’t think will be topped anytime soon.

2. Fearless In Love- Voyager

Voyager are one of my top 20 bands of all time, and this record is indicative of why they always deserve a top spot. This album does something for me that few albums do; it occupies the same space in my brain as Devin Townsend. Fearless In Love is an emotional journey through modern times and is a riff-heavy progressive romp if I’ve ever heard one. It’s as if Devin Townsend and Tears For Fears collaborated on a star ship. This album doesn’t sound like any other album, yet it mirrors Townsend’s genius riffing on Accelerated Evolution so eloquently. This is undoubtedly my favorite guitar record of the year, but also contains juicy bass lines and sing along emotive choruses. Fearless In Love is truly the most uplifting album of 2023 and one of the best guitar performances of all time.

3. Blue Blood- Phantom Elite

Blue Blood was a complete surprise to me. I knew of Phantom and the excellent Marina La Torraca, but their releases never impacted me until this absolutely aggressive record. It is everything I love about Spiritbox and Jinjer, but with a softer side. It’s a Djent/Prog Industrial album with Symphony Metal overtones and beautiful vocals. It’s an album with massive range and variety, no two songs sound the same. It’s fresh and modern without being contrived. The riffs are punchy and enigmatic, always changing and layering on top of loud bombastic drums and crunchy bass lines. Blue Blood is catchy, chaotic, emotive, and groove oriented. It deserves so much more recognition for utter quality. I never expected this band to hit my top ten, but this record is undeniably fantastic.

4. Beyond the Black- Self Titled

When I thought about my favorite records of the year, this is the first one that actually came to my mind. It’s an album I continue to go back to, despite it being a little more radio friendly than what I usually love. There’s just an exquisite mix of genres and influences on this album. It’s Arena Rock with immense emotion and chuggy heavy riffs. Jennifer Haben is one of the most underrated vocalists who fits into any genre or rhythmic pocket. She has an innate tone that is rarely heard in modern music. Kai Hansen is also one of my favorite drummers of late. His performance on this record ties everything together and holds it all in a heavy package. It’s high production quality without being bubblegum or robotic. Beyond the Black created something reflective of Covid times without being too dark or too in your face and it is truly cathartic to listen to. It has profound meaning underneath catchy hooks and huge arena sounds, something modern Rock typically lacks nowadays. This is a truly special record that will surprise you in depth of content and diamond quality.

5. The Wonders Still Awaiting- Xandria

The Wonders Still Awaiting was originally second on this list, but the year squeaked out even more gems and made it difficult for me to order this list any other way. I am an avid Symphonic Metal listener, admittedly less and less as of the last Epica release. Xandria came back in 2023 with a new lineup that dominated my year in music. The addition of Ambre Vourvahis has reignited this band to the glorious torch it once carried. She is the only vocalist on this list to give me actual chills and goosebumps. Marco Heubaum continues to write moving and enchanting music atop heavy riffs and new growling vocals that set him apart from other Symphonic Metal bands. This album is extremely moving throughput and wonderfully thought-provoking. It greatly foreshadows other releases in the genre of the past five years. I will always hold a higher standard to Xandria than Nightwish, and this gorgeous album proves the reasons why.

6. Anno 1696- Insomnium

I am not the biggest Insomnium fan, but subjectively this is a flawless Melodeath record. This Finnish Melodeath band is known for creating utterly devastatingly heavy albums, emotionally and instrumentally. Anno 1696 is no deviation from their usual greatness, but it definitely hearkens to an 90’s Death Metal sound that creates a unique blend on top of a great story.  It is poetry in brutality. The addition of Jani Liimatainen has reignited the band and added a new voice. It’s as though lead vocalist and bassist Niilo Sevanen is the narrator, and Jani is another inner voice of the characters. I’ve never heard another album like it, yet you know it’s Insomnium right away. There is a unique blend of Folk music and Melodeath on this album as well that was new and very interesting. Insomnium refuse to be formulaic and continue to push the envelope of genres. 2023 was all about genre breaking and blending, which is why this album was so successful. 

7. Heimdal- Enslaved

Another unexpected gem of 2023 for me. I had never truly given Enslaved a listen, and I realized the err of my ways very quickly when Heimdal came out. This album is a pinnacle of 2023’s genre blending. It mixes 70’s Prog and modern Death Metal in a Viking setting. It’s far from the cheesy formulaic Viking Metal people have grown tired of. Heimdal is an existential journey through the Great Norse worlds and audibly envelopes you in a strange ethereal aura. The synths and organ give it a primordial feel and is not something I ever expected to hear in Death Metal, but is Enslaved’s special brand that really sets them apart for me. The production quality is pure without being too clean for extreme music. It’s perfectly balanced and flows smoothly like a linear story line. It is such a welcome change from overproduced music with no edge or nostalgia.

8. Nemesis AD- Serenity

Serenity is unfortunately an underdog of Symphonic Metal despite continuously putting out quality records. Nemesis AD is a testament to the ultimate strength of this band in bombastic thematic riffs and smooth powerful vocals from Georg Neuhauser and of course the incomparable Marco Pastorino. This album is profoundly beautiful, riff heavy, and catchy with great hooks. It sits somewhere between Sonata Arctica and Therion. To me, it feels more Power Metal than Symphonic without being contrived or another band just influenced by Nightwish. This is a history lesson of inspiration and self empowerment without being cheesy. Serenity set themselves apart from the rest with this record and made something truly special that I will continue to listen to for years to come.

9. Shades of Sorrow- Crypta

Thrash Metal and Death Thrash are not my cup of tea or area of expertise at all. It’s not that I dislike the darker heavier side of Metal. I listen to brutal bands like Archspire, Lorna Shore, Emperor, Triptykon, Draconian, and Cattle Decapitation. Thrash Metal has never spoken to me, however, and lacks a certain refined technicality I need in my music. So, I came to this new Crypta expecting it to be boring to me. Boy was I wrong… Shades of Sorrow is technical perfection in brutality and darkness. This album crushes your senses and spirit in all the best ways. Crypta is a powerhouse of four women with the essence of Thrash and Death and Melodeath in one technically sound package. They are one of the best bands I have heard in a long time. Their chemistry is tangible, led by drummer Luana Damatto holding down the heavy rhythmic section with Gene Hoglan-like groove and precision. If I had to give individual music awards out, Luana would undoubtedly be my drummer of the year winner. Shades of Sorrow is better than I expected and is truly one of the best Thrash records I have ever heard in my life. The fact that its four women delivering one of the heaviest albums of the year just makes me unbelievably proud and happy to be alive. They are terribly underrated and this album deserves to be on every top ten list.

10. This Heathen Land- Green Lung

Where in the heck did Green Lung come from? They went from being a band I’d never heard of to one of the bands dominating every top ten list of 2023. It’s shocking how well received this album is by the heaviest listeners in the Metal Community. The riffs on This Heathen Land are too perfect to resist, however. This album mixes Folk Rock, Black Sabbath, and Ghost like catchiness to create solid Stoner Metal rooted in Pagan epics. This sounds like it could be put out in the 1970s with the heavy organ sound and creepy high pitched vocals. It’s heavy, ethereal, and anthemic all in a smoothly delivered package (That’s what she said). This Heathen Land by Green Lung is far from an album I expected to be on my top ten, but it is just so damn solid I can’t think of any album that deserves this spot more. All of you elitists that hate on Ghost are absolute hypocrites if you’re jamming this album since in came out, and I hope that realization hits you like a truck. This is one of the most listenable albums on this list and is quite addictive. Once you start listening to Green Lung, you won’t be able to stop.

Honorable Mentions:

Terrasite- Cattle Decapitation

Time Will Take Us All- Entheos

Bleed Out- Within Temptation

Riverside- ID Entity

Fauna- Haken

Avenged Sevenfold- Life Is But A Dream…

Tales From The North- Bloodbound

Dark Waters- Delain

My Top Singles of the Year

1. Darkness is Just a Drawing- Temperance
2. Broken Orbit- In Mourning
3. Reflections of AD- Serenity
4. Inner Beast- Phantom Elite
5. Free Me- Beyond The Black
6. Ultraviolet- Voyager
7. Never Dawn- Lacuna Coil
8. Lilian- Insomnium
9. Jaded- Spiritbox
10. Native Colossus Live at Mad With Power- Shield of Wings

Honorable Mention Singles

As the Flower Withers- Elysion

One More Flag in the Ground- Kamelot

Two Worlds- Xandria

Basterd Von Asgard ft Fabienne Erni- Feuerschwanz

More- The Warning

Hey Brother- Dartagnan

Maxine- Green Lung

Beneath- Delain

This playlist features 20 of my favorite songs of 2023

Click play or watch on Youtube to see the full list on the sidebar

That’s all for now!

ILLUMISHADE Reveal New Album Details

Swiss modern metal upstarts ILLUMISHADE unveil their magical sophomore record and Napalm Records debut, Another Side of You, out February 16 2024! Fronted by vocalist Fabienne Erni and guitarist Jonas Wolf (both of Eluveitie) and completed with orchestration and synths by film composer Mirjam Skal, bass by Yannick Urbanczik, and drums by Marc Friedrich, ILLUMISHADE skillfully balances all things both dark and light on Another Side of You.

On their new single cut from the new album, “Here We Are”, Erni’s radiant charisma shines brighter than ever with her crystal-clear vocal delivery. Wolf’s guitar work is as blazing and emotional as ever, while a fresh dose of modern prog brings a cutting edge to the band’s elaborate songwriting. The song impresses with a stomping chorus and an exciting variety in its middle passage, and arrives alongside a stunning music video.

ILLUMISHADE on “Here We Are”:
“‘Here We Are’ is an anthem to the essence of being in the here and now. It tells about accepting the legacy of history, acknowledging our current standing as a foundation from which we can move forward.”

Another Side of You is the successor to ILLUMISHADE’s acclaimed debut album, ECLYPTIC: Wake Of Shadows. The second coup showcases a more modern approach both lyrically and musically, while still transporting the listener into an immersive world rich with mesmerizing soundscapes (even enhanced by the Budapest Art Orchestra at certain points) and massive and dreamlike vocal lines, marking the perfect start of a brand new chapter for this promising outfit.

ILLUMISHADE add:
“Marking the beginning of a new era, our album Another Side Of You bridges the tangible and the ethereal. It’s an odyssey to the many facets of human emotion but also the challenges we all face in this ever-changing world. Another Side of You is about grounding in reality, yet also letting the music carry you to places unknown.”

Pre-order your copy of Another Side of You HERE:

Another Side of You Tracklisting:
1    Enter the Void    
2    ELEGY    
3    ENEMY    
4    In the Darkness    
5    Cloudreader    
6    Here We Are    
7    CYCLONE    
8    Fairytale    
9    The Horizon Awaits    
10   HYMN    
11   TWILY    
12   Riptide    
13   Hummingbird    
14   Verliebt (feat. Coen Janssen)

ILLUMISHADE are:
Fabienne Erni – Voice, Piano     
Jonas Wolf – Guitars     
Mirjam Skal – Orchestration / Synths    
Yannick Urbanczik – Bass            
Marc Friedrich – Drums
 
ILLUMISHADE online:
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Website
Napalm Records

VOTE For Your Favorite Album of 2023!

2023 has been a new Renaissance of music with new innovations and genre bending iconoclasts. I have been speechless one album after another this year. It’s been one of the best years for me for new releases that I absolutely love, and I know a lot of people are feeling the same way. I have my favorites and will definitely do a list later this month as the discovery of new music is ongoing.

BUT first, I want to hear from my fellow metal fans and connoisseurs of music! What do you think is the best album of 2023? Vote below or comment! I will do a separate review of the winner and post your responses! Just follow the link, no sign in required!

VOTE HERE: https://forms.office.com/r/jpWACrEyS7?origin=lprLink

Melodeath Juggernauts Hiraes Announce New Album

HIRAES (feat. Former Members of Dawn of Disease & Critical Mess) Strike Back with Sophomore Melodic Death Metal Assault

New Album, Dormant, out January 26, 2024 via Napalm Records
Pre-Order HERE

Watch the Music Video for First Single, “Through The Storm”, HERE

photo by Lisa Ulferts

German-based melodic death metal formation HIRAES – featuring former members of Dawn of Disease and Critical Mess – will furiously kick off the new year with the release of their sophomore studio album, entitled Dormant, due out January 26, 2024 via Napalm Records! Wasting no time, HIRAES have just unveiled the first single from Dormant – thunderous album opener “Through The Storm”. The track offers a glimpse into the variety of elements on the album, including powerful and varied drumming, poignant and melancholic melodies, infectious choruses, and breathtaking soundscapes – all complimented by Britta’s versatile vocals.   The band comments about the track and video: “In a way, the video is a continuation of our first single, ‘Under Fire’, from the last album. It’s dedicated to a storm and its indomitable energy. Experience this debut single and join us as we navigate ‘Through The Storm’ together!“ The band adds:  “We are far beyond proud to present our second album Dormant to you! The album will grab you with its intensity from the first second on and won’t let you go. We invested a lot of energy, dedication and passion to create this monumental and melancholic piece of melodic death metal. Having played countless shows over the last two years, Dormant captures the energy of HIRAES’ live performances and places the songs right between heart and gut.  Once again, none other than the talented staff of Fascination Street Studios under the direction of Jens Bogren are responsible for the refinement of our sound. We are so much looking forward to unleashing Dormant upon all those metalheads out there!“

Watch the official video for “Through The Storm” HERE:

Compared to their lauded 2021 debut, Solitary, it’s immediately evident that HIRAES did not only grow within their sound due to countless live appearances, but have invested more time and energy into developing their sophisticated songwriting and production, leaning further into their own unique sound profile. Due to the use of varying keys and sonic elements, Dormant is undoubtedly fresh without sacrificing the nuances that caused their first album to connect so successfully with fans. With their very first offering, HIRAES already created an exciting new melodic death metal emergence, built upon a brutalized vocal attack, intense melodies and aggressive guitars. On Dormant, HIRAES  flexes their own trademarks in an intensified way, ranging from versatile drumming, catchy riffs and hymn-like melodies to enthralling soundscapes and the impressive vocal onslaught of singer Britta Görtz. Dormant is a stirring, intense and dynamic death metal affair that is both heavily brutal and dark, yet full of melodic melancholy. 

Pre-Order Dormant HERE!

Dormant track listing: 1. Through The Storm 2. We Owe No One 3. Undercurrent 4. Chance To Fail 5. About Lies 6. Come Alive 7. Ocean Child 8. Nightflight 9. Red Soil 10. Dormant Set to be released on January 26, 2024,  Dormant will be available in the following formats: – 1 CD Digisleeve (6page) – 1 LP Gatefold solid royal blue – Digital Album

HIRAES are: Britta Görtz – vocals Lukas Kerk – guitars Oliver Kirchner – guitars Christian Wösten – bass Mathias Blässe – drums HIRAES online: Website Facebook TikTok Instagram Napalm Records

REVIEW: Earthside Let The Truth Speak 2023

Releases November 17th via Music Theories / Mascot Label Group

Experimental Progressive Metal thinkers, Earthside defied every boundary you could imagine within music with breakout release “A Dream In Static” in 2015 and highly acclaimed singles like “All We Ever Knew and Loved”. It is a record that fused philosophy, metaphysics, Prog, Ambient, and instrumentals into a long sonic journey and was highly well received by the Metal community. Anything new and profound, whether it be emotionally or mentally significant seems to hit the Metal community’s ears just right. “Let the Truth Speak” is another genre breaking mind bending record that I know will be another critically acclaimed hit. Was this record worth nearly breaking up the original base lineup? Earthside answered that question upon completing this hugely ambitious undertaking and finding themselves as inspired as 16 year olds finding their path for the first time.

Anytime an album is rooted in deep thinking, self reflection, or claims to be a mirror to the existential self, I am eager to delve into it. This is an album I didn’t expect to like, as I really didn’t know many of the guest musicians and I expected something quite self-important and pretentious. I thought it might be overtly composed and too chaotic, and it proved me wrong immediately. This album is a lot to take in, yes. It is as complex as you may expect, but not overwhelming. It is supremely balanced with ambience and detailed with melodic guitar parts and passionate rhythms and weird time signatures. It gives you breaks and room to sit in the feelings their trying to convey, before it mesmerizes you with technicality. You can tell it took a ton of mind power to craft this album, because there are so many bits and pieces that almost don’t fit together, but it works. “Who We Lament (featuring Keturah)” reminds me of Devin Townsend’s album Ki that featured Chee Aimee Dorval in the best way possible. It starts atmospheric and then absolutely explodes and the vocals reflect this inner heaviness of self loathing with a bit of a surprise fry vocal. “Tyranny (featuring Pritam Adhikary of Aarlon)” is a huge standout for me and is one of the heavier songs on the album with pounding technical rhythms and chesty voicing reminding me of the band Klone. “Pattern of Rebirth (featuring AJ Channer of Fire From the Gods)” is a great single track that brings a familiar more Metalcore sound, with some nicely melodic spoken word and long sung choruses.

This album seems darker and moodier than previous releases. There’s melancholy and even anger in instrumentals “Watching the Earth Sink” and “Vespers (feat. Gennady Tkachenko-Papizh & VikKe)”. This emotional arc seems to be fitting and reminds me of the heaviness of Russian Circles at times. The drums stand out instrumentally to me and really carry this album to be something special, besides all the unique guest vocalists. Ben Shabrom is a brilliant drummer, but there are parts on this album that exceed even his usual flair and heavy hitting. The addition of Baard Kolstad on “All We Ever Knew and Loved” is a smart decision as he is incomparable and the hardest hitting Prog drummer I have ever seen. Kolstad was possibly an influence throughout the album, because many parts mirror his bombastic crazy rhythms and airy cymbals. Overall, the diverse instrumentation is great and interesting throughout, but I find myself complaining what everyone complains about in Modern Music: It needs more bass. For the most part, Ryan Griffin is inaudible and under utilized. Without bass, the tone of the music is completely lost and always lacks dynamic range. The only song he shines on is the Jazzy-Djent breakdown “The Lesser Evil (feat. Larry Braggs & Sam Gendel)”, and while it is a brilliant Seal and Skinny Puppy crossover, it’s sad that’s the only time we get chunky and crazy bass lines.

This album is a lot and is certainly not accessible to the average listener, but Prog nearly never aims for accessibility, but emotional diction in technicality. Earthside have created something very complex, once again rising to their self proclaimed crazy ambitions. I like this album and a lot of tracks on it. It flows extremely well without getting repetitive or stale. It’s unlike anything I have ever heard, but definitely has familiar aspects the more diverse listener can appreciate it. I don’t know if I’ll ever listen to the album in full again, however. It seems to be one to appreciate a couple times, but doesn’t have anything that sticks with me. It’s a great album technically and has profound meaning, but it lacks a recurring theme or something to keep me engaged.

Lyrically, I found it boring and without distinctive messages to pull from so it stays in your head. It just leaves you once you’re done listening. Maybe, that’s the point. Maybe it’s about enjoying the moments while you have them and then moving on from the past. Either way, it is worth a listen and maybe true Earthside fans will consider it a classic. I don’t necessarily love it, but I understand and appreciate what they were trying to do with “Let the Truth Speak”. I like it, but I expect way more content with the next release and an arcing theme that resonates longer than a play through.

Rating: 6/10

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#NewMusicFriday 11/10/13!

Back with new music Friday on the blog! Here are my top ten picks of the day/week you might’ve missed. It’s short and sweet, which is rare for me as I can be quite the windbag on here.

What are you listening to today?

Favorite album and singles post of the year coming soon! Stay tuned and don’t forget to sign up for updates below this post.

Plini, atmospheric Metal guitarist, and legendary Animals as Leaders’ Tosin Abasi shred it out

German Symphonic Melodic heavyweights Beyond the Black release new live video

Italian Power Metal legends Secret Sphere are back with brand new speedy single.

German 90’s band HELMET return with new album and single

Ex-Three Days Grace singer Adam Gontier and Skillet’s John Cooper groove on this catchy modern rock guitar heavy track.

A new discovery for me in the realm of Progressive Metalcore. Kinda like ERRA, Volumes, and Periphery. Great lyrics and drums as well as super technical guitars.

Portland Metalcore band Dying Wish drops heavy new ballad single. BIG surprise to me how good this is. This is the kind of music I wanted fifteen years ago.

Legendary German Power Metallers are back after 11 years with edgy Neoclassicism, and you guessed it, DRAGONS

Italian Melodic Metal powerhouses return with gorgeous power ballad that will undoubtedly make a big impact on listeners

Canadian Juno Award winning band debuts new intense speed single with a horror theme